Cast + Crew; Awards; April 1, 1959; 1 hr 43 min Tell us where you are Looking for movie tickets?

A film like this should be handled a little more politically and a little less enervating. Made by fans in Auckland, New Zealand. An Atticus Finch moment if ever there was one climaxes this movie like a bitch. Robert Thom was an American writer of films, plays, novels and poems, best known for writing the screenplay for Death Race 2000 (1975), produced by Roger Corman's New World and directed by Paul Bartel. Important ideas, fair execution. Not that I even knew what to expect, but for some reason I thought this was a crime thriller that might cross over into the horror genre a bit. Crack in the Mirror is a 1960 drama film directed by Richard Fleischer. Quase um filme-ensaio, e estou falando do tipo que fazem Farocki e Andersen mesmo. Yet I think Fleischer totally overdoes his anti-execution message here, and quite possibly gets carried away at the prospect of Orson Welles delivering a technically flawless monologue arguing against Dean….

It features Dean Stockwell as grad student Judd Steiner, the thinly disguised persona of former child prodigy Nathan Leopold, who was said to have an I.Q. Robert W. Bergstrom was a lawyer, best known for defending Twentieth Century-Fox Film Corporation and its associates in a suit brought by Nathan Leopold, alleging that the film Compulsion used his court case for profit. In classical music, "Strauss" usually refers to Richard Strauss or Johann Strauss II.
Marshall as the prosecuting attorney deserve mention too.
Opening the Vault: A Chronological History of Queer Interest & LGBTQ+ Cinema, Genre: Exploitation (100 Years: 1896-1995), But I'm a Cheapskate! Contents. Marshall Martin Milner Richard Anderson Robert F. Simon Robert Burton Wilton Graff Louise Lorimer Gavin MacLeod Edward Binns Colin Kenny, Darryl F. Zanuck Productions 20th Century Fox, 103 mins   Screenplay: Richard Murphy, based on the novel by Meyer Levin COMPULSION is a tour de force by a director, Richard Fleisher, who has a remarkably strong filmography.

Beginning with a petty theft by the two would-be killers their sense of superiority quickly escalates as they commit the ultimate crime.

The Palme d'Or went to the Orfeu Negro by Marcel Camus.

Nobody else could possibly have played that part so believably, and nobody else could have made something so didactic so informal and simple. The film stars Laurence Harvey, Simone Signoret, Heather Sears, Donald Wolfit, Donald Houston and Hermione Baddeley. But this is a neatly packaged account of an actual criminal case, probably repainted somewhat with artistic licence, but still rather compelling. He was a leading member of the American Civil Liberties Union, and a prominent advocate for Georgist economic reform. It's about two young men who decide to commit murder for the sake of it, and their futile attempts to evade suspicion and arrest. An interesting crime/courtroom drama from Richard Fleischer.

Room at the Top is a 1959 British film based on the 1957 novel of the same name by John Braine. The first half looks at the actions and motivations of Steiner and Strauss, renamed, as they try to manage the whirlwind of police activity, with Strauss involving himself upfront in the investigation and Steiner battling his own Nitzschian empowerment against his own moral qualms of guilt. Even though, i wouldn't say Orson Welles is actually starring in this movie his performance certainly left the biggest impression on me. Adapted from Meyer Levin's 1956 fictionalized account of the 1924 Leopold & Loeb murder case, this film from director Richard Fleischer was promoted as the cinematic portrayal of "the crime of the century."


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