"In the Flesh" is the thirteenth episode of Xiaolin Showdown and the Season 1 finale. He responds nonchalantly, not yet. ", The writing of the scene involving Boothby, Valerie Archer and Admiral Bullock in, Nick Sagan remembered how he devised Valerie Archer's surname. Of course, they tracked its source. She identifies the officer as Ensign O'Halloran, and comments that he will be pulled out of training if this happens to him again. ", "Humans! He asks her how much she thinks he knows. He welcomes them to Earth and invites them to direct any questions or comments they have to him. The introduction lasts for more than a minute before the singing starts, and the tone shifts to gentle keyboards and male doo-wop harmony in the background. "Boothby" orders battle stations, ignoring Chakotay's insistence that Captain Janeway is coming only to retrieve him, not attack.
The conversation turns to Humans.
"", "Voyager may be the last defense against an all-out invasion of Earth. So this album – the live one, which pulls together songs from all three albums – hopefully redresses the balance. After the two Voyager officers get out of earshot, Chakotay tells him he has gained useful information about what is happening here. Any problems are to be directed to Lieutenant Kinis, the admiral's Vulcan aide standing next to the admiral. The Delta Flyer turns and leaves orbit, not around Earth, but an alien space station.
Janeway orders red alert and the nanoprobe warheads brought online. They're back…The corpse of 'Ensign Gentry' is revealed to be Species 8472. ", "First of all, I want to take a look at that nanoprobe technology – it scares the hell out of me! 'United Federation of Planets'… 'tolerance for all species'… the 'Prime Directive'… targ manure, every word of it! He punctuates the end of the song with "If I had my way I'd have all of you shot!". "I am a Partially Deceased Syndrome Sufferer, and what I did in my untreated state was not my fault.
A German Ju 87 Stuka bombs a bunker, in which Pink's father is killed. In what is seemingly San Francisco on Earth, in the grounds of Starfleet Academy, an old man tends some flowers. ", "I've always wondered what it would be like to date an alien."
Chakotay responds that it was due to the detection of what appeared to be a Federation comm frequency. Nick Sagan recalled the meeting; ", This episode was scheduled for an eight-day shoot between, When Chakotay is captured amid Species 8472's simulation of Starfleet Headquarters, the music resembles a Species 8472 theme that originally debuted in the third season finale ", As David Livingston was so happy with the sets of this installment, he tried to prominently feature them. Roger Waters. "Bullock" angrily continues, further accusing them of creating biological weapons to use against them, and being allies of the Borg.
They catch him as he falls and Chakotay taps his combadge to be beamed back to the Delta Flyer piloted by Tom Paris. During this outro, Roger Waters shouts out stage directions, and a Stuka dive-bomber[4] can be heard. as the tour of the album Amused to Death, because it's the first time he plays songs from that album. In a manner similar to the training scenario, "Bullock" introduces himself and welcomes Tuvok and Neelix to "Terrasphere 8, Starfleet Command re-creation". Roarton has a reputation for being one of the more hostile communities towards PDS Sufferers even while they are medicated. However, before he leaves, she touches his face and kisses him, saying that Human dating rituals are part of their training. Chakotay and "Archer" walk together one last time. She tries to convince "Boothby" that the Federation is not set out to get or destroy them, but when the aliens keep questioning each and every one of her points, Janeway soon realizes that this is getting nowhere. Pink! This re-creation may be Starfleet but our weapons are far more sophisticated. Starfleet Directive 010, she tells Seven, mandates that any and all attempts at diplomatic resolution must be made before engaging an alien species in battle. "In the Flesh" is the twenty-first song of the album, and is a reprise of the first, with different verses and more extended instrumentation.
She then orders Seven to disarm the nanoprobe warheads to prove their point.
She explains that at the time they engaged Species 8472, they were unaware that the Borg had started the war against them and were acting in self-defense.
It was at a production meeting, while discussing the installment's budget, that the decision was made to lessen the episode's quantity of effects. The majority of the songs are in the key of A Major and its time signature is 6/8. "Boothby" demands other information about their planned attack, but Chakotay insists that a war is not being planned against them. This page contains intense spoilers for new viewers. The kiss that reveals Chakotay's true identity. It's also considered[by whom?] For other uses, see, Fitch, Vernon and Mahon, Richard, Comfortably Numb — A History of The Wall 1978-1981, 2006, p.71.
In 2009, his best friend/implied romantic interest Rick Macy died in Afganistan. It begins with the opening of a rock concert. Please read at your own risk. "', This episode marks the second appearance of the, This is the last of four episodes that centrally feature, While testing the crew, the Doctor says "two down, one hundred and twenty five to go", implying a crew complement of 127 (not including his holographic self).
Janeway agrees, and then reminds everyone of the importance of their success; Starfleet has no way of stopping Species 8472, nor can Voyager's crew warn them of the invasion. You'll just have to claw your way through this disguise", as well as the references to a "surrogate band" in the song's reprise later on. She comments that an armed conflict is not going to solve their problems and proposes a "class reunion". He demands to know how they found them. ", "Targ manure! Captain Janeway orders the entire crew to report to The Doctor for DNA testing, to ensure that no impostor is aboard.
Production . ― Kieren Walker. All songs written, composed and with lead vocals by Roger Waters, except where noted. The Doctor certifies Chakotay and Tuvok respectively as genuinely Human and Vulcan. In ", Harry Kim says in episode that he's "always wondered what it would be like to date an alien".
In sickbay, The Doctor informs Janeway that the alien is most definitely not Human. As they stop at a fence by an ornamental lake, she asks him concernedly about the chances of him being listened to. A low-pitched melody begins, at a slow pace, with rapid snare drum fills. During the original tour supporting The Wall, the song would be performed onstage by the backing musicians wearing masks to make them look like the real members of Pink Floyd, playing on the lines "Tell me, is something eluding you sunshine? Admiral Bullock addresses newly commissioned officers, Bullock issues the new officers' assignments. He, Lieutenant Paris and Ensign Kim return to the facility on the Delta Flyer. The Flesh was a living substance used by humans to create clone workers known as Doppelgängers ("Gangers" for short) for dangerous labour, such as the mining of acid in the 22nd century.. History Edit. Chakotay chuckles, and smoothly responds that his tricorder is malfunctioning. In fact, he did unknowingly date an alien in ", Harry Kim says in this episode that the "last member of species 8472 [he] met tried to desolve [him] from the inside out", in a reference to the events of ", Brannon Braga was ultimately proud of the difficult-to-write. "I'll take notes. ", Budget constraints led to the last-minute removal of several effects sequences from this episode. Fine by me. She sarcastically asks him if he is enjoying the Delta Quadrant.
The quiet melody of "Outside the Wall" is interrupted in mid-phrase, as the main body of the song starts loudly, with a succession of power chords on organ and distorted guitars. is replaced with "Hammer", invoking the film motif of hammers. She asserts that there is only one way to prove that they speak the truth, namely trusting each other. The song is one of the most radically changed among movie versions, having been converted to an orchestral piece.