Lotte (Charlotte) Reiniger was a German filmmaker who started to work in movie-making in the first decades of the twentieth century. Walter Schobert (of the Deutsches Film museum in Frankfurt), Reiniger said Brenda Chapman (director-writer of The prince of Egypt and Brave), Lotte Reiniger: Pioneer of Film Animation by Whitney Grace.


In a 1969 interview with
“Nobody else has defined a form of animation as authoritatively as she did,” writes Dan North of Spectacular Attractions, “and the opening section, where scissors make the first cuts into the main character, conjuring her out of simple raw materials, displays the means by which the story is fabricated and marks it out as a product of her labour.” Below that, we have a later work, 1955’s Hansel and Gretel, an example of her further developed technique, and just above you’ll find that same year’s Däumelinchen, also known as Thumbelina. Before Walt Disney, there was Lotte Reiniger – the story of the world’s first animated feature October 24, 2019 6.53am EDT Alexander Sergeant , University of Portsmouth are magical.

and toys, hurts his pets, breaks dishes and furniture and despoils the garden--but Lotte Reiniger would cut the silhouettes of human figures from paper and then shift them picture by picture to create the illusion of movement. And Reiniger, in her day, revived the oldest European stories with technology once as striking and cinematically cutting-edge as today’s most advanced CGI. shepherdesses, to jazzy fox trots to cat yawls to a symphony of garden sounds)

She also made one of the world’s first animated features, The Adventures of Prince Achmed. In addition to Prince Achmed, Lotte Reiniger made a second feature, 4150-564 Porto, Portugal

Courtesy of William Mortiz, Galathea, These films are based on folk tales or fairy tale stories such as Cinderella (1922) or Sleeping Beauty (1922). children, and a few delightful advertising films. Ravel's 1925 opera L'Enfant et les Sortilèges (The Boy and of Happiness, which involves people who run a shadow-puppet theater

Again, it is currently available only in a television version with new music, As a teenager, Lotte decided to become an actress and work with Paul Wegener (film actor and director), whom she deeply admired. the Bewitched Things), which tells of a naughty child who ruins his schoolbooks

She loved Maurice This film was a stop-frame 66 minutes animated film which she made in collaboration with Carl Koch, Berthol Bartosch and Walther Ruttmann.

Since then, Lotte kept on mastering and developing animation techniques and matured into a recognised pioneer in animation and the creator of silhouette animation films. https://www.youtube.com/watch?v=1N2UeEsa2qA. performances in England, and wrote a definitive book about Silhouettes. 1935 First

The Groundbreaking Silhouette Animations of Lotte Reiniger: writes Dan North of Spectacular Attractions. Courtesy of William Mortiz. 1972: Deutscher Filmpreis.

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But as we know, women´s achievements tend to be overlooked in history and, nowadays, history remembers Disney’s Snow White as the first feature-length animated film when it was in fact preceded by more than a decade by Lotte Reiniger´s The Adventures of Prince Achmed.

Batsford Ltd. Bendazzi, Giannalberto (2001) Cartoons: One Hundred Years of Cinema Animation. “No one else has taken a specific animation technique and made it so utterly her own,” writes the British Film Institute’s Philip Kemp, “to date she has no rivals, and for all practical purposes the history of silhouette animation begins and ends with Reiniger” — but the way she breathed life into her material lives on. We’re hoping to rely on our loyal readers rather than erratic ads. if you like our Facebook fanpage, you'll receive more articles like the one you just read! complex, and Lotte finally abandoned the project, although she had designed complex and expensive matter, since Ravel's music, Colette's libretto and

Her inspiration came from Asian puppet theatre and Chinese shadow theatre. In 1953, Louis Hagen founded the Primrose Productions studio in London, where Lotte Reiniger made a number of animated movies in the ensuing decade: Snow white and Rose Red, The Magic Horse, The Three Wishes, The Grasshopper and the Ant, The Little Chimney Sweep, Hansel and Gretel, Thumbelina and Jack and the Beanstalk.³.

As I wrote about in my posts on Lotte Reiniger, the homages to the influence of her work and her silhouette technique has been far reaching throughout animation history, even if sparse.

Wegener gave her not only her first job in the film animation world, but introduced her to a group of artists setting up an experimental animation studio: the Berliner Institut für Kulturforschung.

The puppets were made of card, paper and thin lead jointed with wire, and were arranged flat on a glass table lit from below with a stills camera above, all the scenes animated frame by frame by hand. TV a branch of the toy industry. A Very Thankful Public Anna Taraboletti-Segre.

As Kemp pointed out, “Reiniger linked the tradition for the first time to the making of motion pictures when it was still a new art form, and invented new techniques and effects to animate her exquisitely cut and jointed black characters which played against scenery made from tracing paper shaded from black to grey.

Reiniger, Lotte (1970) Shadow Theatres and Shadow Films. in Animation | September 1st, 2015 1 Comment. They immediately tried to leave Germany in 1933, but were not able to get emigration visas into France, England or other European countries. Dr. Dolittle, released in 1928 (unfortunately just as the sound film operatic motifs--all of which played successfully in cinemas and on television

the particular musical performance (singers, orchestra, etc.) Colin Marshall writes on cities, language, Asia, and men’s style.

She devised the predecessor of the multiplane camera.

And you can hardly talk about Reiniger’s work without talking about the enchanting art of shadow puppetry, which we mostly associate with traditional cultures like that of Indonesia, but which also inspired her early 20th-century innovations in animation. Lotte tried for seven years to get the rights to the piece--a

Phone: +351 220 427 392, © 2018 ILCML | She Thought It: Crossing Bodies in Sciences and Arts |, https://www.youtube.com/watch?v=CkgirvbPJnw, https://www.youtube.com/watch?v=4u1Ny3tkl4g, https://www.youtube.com/watch?v=Kku75vGDD_0, https://www.youtube.com/watch?v=h4uUchB429M, https://www.youtube.com/watch?v=1A38fUONi_o, https://www.youtube.com/watch?v=AB6T686opdg, https://www.youtube.com/watch?v=IEGmXUO6z9Y. in a carnival--and starred Jean Renoir and Bertold Bartosch; unfortunately, London: B.T.

As a child, she was fascinated with the Chinese art of silhouette puppetry, even building her own puppet theater so she could put on shows for her family and friends.The only daughter of a banker and a homemaker, Reiniger set great stock by her birth in the last year of the nineteenth century. A film director and a pioneer in silhouette animation, Lotte Reigner created the first and oldest surviving feature-length animation movie. She taught herself to cut paper silhouettes and used them in her own homemade shadow stage.

At the Paris premiere of the film Lotte and Carl met and became friends with Jean Renoir, with whom they collaborated in a series of movie. In 1919, aged 20, she produced her first short film, The Ornament of the Loving Heart, which involved the movement of puppets in front of the camera but did not rely on stop-frame animation yet.³. it tells of the good Doctor's voyage to Africa to help heal sick animals. We thank you! Online: <. The art of cinema was taking its first steps when Lotte started writing, producing, and creating her magical films. It became a lifelong friendship.

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You can’t talk about the origin of the modern animated film without talking about the work of Lotte Reiniger (1899-1981), the German creator of some 40 animated films between the 1910s and the 70s.

1979: Great Cross of the Order of Merit of the Federal Republic of Germany. 1954: Silver Dolphin, Venice Festival. all the things he has damaged come to life and accuse him until he repents.

Follow him on Twitter at @colinmarshall or on Facebook.

Wolfgram Evans, Noell K. (1973) Animators of film and television, McFarland & Company Inc. Jean Renoir, cited in: Wolfgram Evans,Noell K. (1973) Animators of film and television, McFarland & Company Inc. (p. 115).

cleared separately. Permanent exhibition, “The World in Light and Shadow: Silhouette, shadow theatre, silhouette film”, Municipal Museum in Tübingen. In 1926, the first feature-length animated film (which Disney later claimed for himself with Snow White)⁴ saw the light: The Adventures of Prince Achmed.

June 2 (2016), Google made a Doodle celebrating her 117th birthday: https://www.youtube.com/watch?v=CkgirvbPJnw, Ocelot, Michel (2011) Les Contes de la Nuit, Nord-Ouest Films, Studio O, StudioCanal.

The technique involved considerable planning, versatility, concentration and talent for understanding the movement of the characters.”³. Interview for USC School of Cinematic Arts (1976). disastrous.


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