Spanish history it may be, but the film's wide-ranging emotional appeal means it deserves exposure beyond the Spanish-speaking territories that would be its natural home. An object lesson in how to wring maximum dramatic effect from what’s essentially a one-location, two-character set up, Trench (despite its frankly off-putting title) is an intense, almost note-perfect emotional journey about the fear of political repression and, more broadly, about human vulnerability, despair and resistance. Director: Aitor Arregi, Jon Garaño, Jose Mari Goenaga, Starring: Antonio de la Torre, Belén Cuesta, Vicente Vergara, José Manuel Poga, Emilio Palacios, Enrique Asenjo, Antonio Romero, Esperanza Guardado, José María del Castillo, Javi Mena, Manuel Domínguez, Carlos Bernardino, Óscar Corrales, Daniel Morilla. The passage of time is conveyed effectively by the radio clips that Higinio listens to and by dictionary definition intertitles that initially seem clumsy, but work better later on. But there’s no question that Higinio might be even a remotely heroic figure, and indeed the film is open on the question of whether he’s been guilty of foul play himself. Synopsis A small village in Huelva, Andalusia, Spain, 1936. Producers: Xabier Berzosa, Olmo Figueredo González-Quevedo, Iñaki Gomez, Iñigo Obeso Following a government amnesty in 1969, a handful of men across Spain emerged blinking into the light having remained in hiding, often in their own homes, for more than 30 years to avoid reprisals following the 1936 Francoist occupation of the country. Composer: Pascal Gaigne

Netflix and third parties use cookies (why?). As Falangists search for him, he hides under the floor of his house with the help of his wife.

Arregi, Garaño and Geonago's film begins with the adrenaline rush of flight, as Republican Higinio Blanco (de la Torre) and his fellow fighters run for their lives.

The film captures the sense of fear that comes with every move outside his bolthole that Hidigio makes, and the shared entrapment of Rosa, who is almost as incarcerated as he is, since she is the only one who can keep him alive - the actors generate tension in every detail here, whether it's a furtive glance through a net curtain or the stiffening of a body when threat is close at hand. Little details abound, such as the fact he soon has to sport women's cardigans, since she can't be seen to be buying men's clothes. Their first film in Castilian Spanish - written by Geonago and Louis Bendega - considers the plight of those who were forced to hide from Franco's fascists, not just for the duration of the Spanish Civil War, but for three decades. The fact that Higinio is a man of trad values and few syllables (this is also a film about things unsaid) considerably enhances the power of the role. Although a fictional retelling, the film draws on the stories of many of those who hid behind false walls or floors in their homes, including Manuel Cortés, the former mayor of the village of Mijas, whose temporary hideout in his father's house became his prison for 30 years. Privacy | Directors: Aitor Arregi, Jon Garaño, Jose Mari Goenaga Where that film focused on the horrors that solitude can bring to prisoners, The Endless Trench marries its effective prison drama element to a relationship drama, artfully highlighting the impact of hiding out, not just on those forced to do it but on their loved ones, who were effectively their sole protectors and who also lived in fear of discovery. After unearthing a tomb that had been untouched for 4,400 years, Egyptian archaeologists attempt to decipher the history of the extraordinary find. Costume designers: Lourdes Fuentes, Saioa Lara Much of it comes via involving, uncertain glimpses shot from the fearful Higinio’s POV as, along with the viewer, he tries to figure out what the hell is happening — a strategy that generates tension in spades, but also emotion. 7:23 PM PDT 9/26/2019 Jonathan Holland In a world where data is no longer private, con artists uncover a sinister surveillance scheme headed by the government and a greedy corporation. There are three directors, two of whom were responsible for 2014’s wonderful Flowers, but you wouldn’t know from watching it that the film has more directors than leads. Suddenly having to upturn everything her education has prepared her for, Rosa must now reinvent herself as the breadwinner and the protector, and Cuesta never allows us to lose sight of Rosa’s fragility, durability or commitment as the years roll by. ‘The Endless Trench’ (‘La Trinchera Infinita’) is one such historical drama based on true events that narrates the events of the Spanish Civil War through one man’s life. (These and other grotesque, painful details are historical: this was indeed a period of officially sanctioned cruelty.). Sales: Film Factory. Netflix and third parties use cookies and similar technologies on this website to collect information about your browsing activities which we use to analyse your use of the website, to personalize our services and to customise our online advertisements. Antonio de la Torre, Belén Cuesta, Vicente Vergara.


About Our Ads Performances from both the leads are stunningly immersive in roles that demand the communication of intense emotions — and it’s from the emotional truth they generate, rather than from the suspense, that the film’s intensity derives. Director of photography: Javi Agirre Erauso
Editors: Laurent Dufreche, Raul Lopez

De la Torre brings home the overwhelming frustration of Higinio's emasculation as the humiliations pile up: “Why am I here if I can’t take care of you?” he asks Rosa hopelessly, obliged as he is to wear her cardigans (for 30 years, no mens’ clothes could be seen to be drying on the line) and help with the darning. Helped by his wife, they decide to use a hole dug into their own home as a provisional hiding place... but their imprisonment will go on for years. It is no surprise that close to the end Higinio is driven almost mad as, in one potent sequence, he miserably leafs through an album of photos of people simply leading their lives — something he’s been signally unable to achieve. by Casting directors: Eva Leira, Yolanda Serrano Rosa declares that she wants a child, an incredible demand under the circumstances; a Civil Guard (Jose Manuel Poga) expresses romantic interest in Rosa; and, in a tragicomic sequence offering rare respite from all the intensity, a gay couple — another collective driven into hiding by the regime — decides to use Higinio’s father-in-law’s house (where Higinio has moved for safety) for their trysts. Executive producers: Fernando Larrondo, Carlos Rosado Sibón, Miguel Menéndez De Zubillaga, Birgit Kemner What starts as a temporary refuge starts to become more permanent after their neighbour - who blames Hidigio for the death of his brother - starts what will become a lifelong obsession with the missing man's whereabouts. Learn more about our use of cookies and information. It's the second time in a year that de la Torre has played a long-term captive - after last year's retelling of ex-Uruguayan president José Mujic's incarceration, A Twelve-Year Night. In one shot of particular potency, a band of light falls across Higinio’s eyes as they fill with tears. 1930s Hollywood is reevaluated through the eyes of scathing wit and alcoholic screenwriter Herman J. Mankiewicz as he races to finish “Citizen Kane.”, This is the incredible story behind Sweden’s most notorious gangster, Clark Olofsson, whose infamous crimes gave rise to the term “Stockholm syndrome.”. The Endless Trench 2019 TV-MA 2h 27m Dramas Fearing retribution, a Republican from the Spanish Civil War hides in his home for more than 30 years with the help of his wife. Higinio, being afraid of possible reprisals from the rebel faction, decides to use a hole dug in his own house as a temporary hideout. Screenwriters: Luiso Berdejo, Jose Mari Goenaga De la Torre, too, physically piled on the pounds for the role. Urgent handheld camera follows local left-wing politico and cunning pragmatist Higinio (Antonio de la Torre) as he’s hounded through rural Andalusia by Franco’s Civil Guard before being loaded into the back of a truck, making his escape, and then narrowly avoiding death by hiding — as two of his companions are shot — mole-like, in a hole in the ground. It is here that the sense of entrapment begins, as Higinio takes what he imagines will be temporary refuge in a priesthole style space he has dug behind the fireplace he shares with his new bride Rosa (Belén Cuesta, in a finely nuanced performance). From here on, the drama will largely be psychological.

So that despite all the suffering, darkness and general human nastiness in the world outside its walls, The Endless Trench is finally affirmative. While working to create a sex app, a young woman and her friends set out to explore the world of intimacy and learn about themselves in the process. Co-starring Callie Hernandez, Tate Ellington, Lew Temple, and James Jordan, the film tells the story of two brothers (Benson and Moorhead) who visit an alleged cult they formerly belonged to.

The Endless Trench is a story of a silent battle, resistance, fear, and solitude. Where that film focused on the horrors that solitude can bring to prisoners, The Endless Trench marries its effective prison drama element to a relationship drama, artfully highlighting the impact of hiding out, not just on those forced to do it but on their loved ones, who were effectively their sole protectors and who also lived in fear of discovery.

“I have lived my whole life for you,” Higinio declares, and rarely can it have been so literally true.

Tully and Kate meet as young girls on Firefly Lane and become inseparable best friends throughout 30 years of ups and downs. EMAIL ME. Although the life of a mole was presumably dull for years at a time, boredom never becomes an issue for the viewer. In 1936, at the start of the Spanish Civil War, a newly-married man who has criticized Franco's army and government fears that he will be the victim of reprisal killings and goes into hiding. Soundwork is also often strikingly designed for ambiguity. It could be argued that one or two incidents feel slightly forced - not least a gay subplot - but even they ultimately serve the fabric of the film, to build a bigger picture of the persecution and oppression of the Franco regime. By clicking accept, you accept the use of all cookies and your information for the purposes mentioned above. The main threat derives from Gonzalo (Vicente Vergara), who betrayed Higinio to the authorities and who continues to threaten his safety for the entire duration, starting with the sadistic removal of the curtains from the house. The first section, titled “campeada” ("to run”) depicts his first period where he is on the run from his pursuers. Inevitably much of the action plays out in the half-light, sometimes used in contrast to the eye-screwing Andalusian sunshine that is brought more to the fore as freedom slowly approaches.
The film also emphasises the way that fear can paralyse. Learn more about our use of cookies and information. TWITTER

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