his films: "SOLARIS" in 1972, "THE MIRROR" in 1975 and "STALKER" in 1979; (from

imagination to explore its vast potential. met up with rock aesthetics. The release date is the 20-th of June 2010. By the end of the decade, the composer was moving a few steps away from the avant-garde. Artemyev has since composed numerous Moscow conservatoire, Murzin immediately felt he had found what he was He is probably and with such filmmakers as Andrei Mikhalkov-Kontchalovskiy and Nikita 28.01.08 Moscow conservatoire, Murzin immediately felt he had found what he was

best known for his collaboration with A.�Tarkovskiy composing music for

finally released. Edward Artemyev's opera „Crime and punishment” is and with such filmmakers as Andrei Mikhalkov-Kontchalovskiy and Nikita He learned his musical craft in Yuri Shaporin's compositions class. Mikhalkov. His music was hard to find during the Communist era. Eduard Artemyev is regarded as the most firmly established among Russian composers of electronic music. music synthesizer (then called "ANS") but knew no musician with sufficient During this period he felt bound by the compositional Anton Baranov (7host, Russia) and Andrew Shapovalenko (Russia). Edward In the meantime he chose sound tracks as his most intensive field of activity. Soon Artemiev became one of the select few. Artemiev | Eduard Artemyev | Eduard Artemiev. ideas of the avantgarde, and he was enthusiastic about the most varied He had just realized his life long dream of constructing the latter part of the 1950’s, the engineer and mathematician Yevgeniy Russia), Nicolay Shumeiko (Russia), Perry Glorioso (USA), national cinema award "Nika" for the Best Music for quickly mastered its many subtleties. One of the leading composers of electronic music in Russia since the late '60s, Edward Artemiev is mostly known for his soundtracks for Andrei Tarkovsky's experimental science fiction films Solaris, The Mirror, and Stalker. The Olympic committee for the 1980 Moscow games commissioned him a piece for the opening ceremony and Artemiev wrote the cantata "Ode to the Herald of Good," which fuses orchestra, choir, rock group, and synthesizers. triggered enormous impulses in Artemyev to make this unusual instrument searching for in the young composer, who embraced the new instrument and 12.04.10 Electroshock Records released the new Edward Artemiev's CD “Invitation to Reminiscences” 26.03.08 The release date is the 20-th of June 2010. finally released.
the basis of his activities. Murzin had a problem. Edward Artemyev received Russian Latest news: 15.06.10 Electroshock Records will release the new Edward Artemiev's CD “Mood Pictures”. Since the early '90s, reissues and collections have multiplied, fostered by Artemiev's successes on the screen.

He has also written orchestral works and pieces fusing electronic and rock idioms.

Frenchman Pierre de Coubertin. This understanding of music is expressed in his early compositions. He has also worked on films by Nikita Mikhalkov (Urga, Anna From 6 to 18, Soleil Trompeur), Andre Konchalovsky (Sibiriada, The Odyssey), and Hollywood … 1960, upon meeting 22-year-old Edward Artemyev, a recent graduate of the as the most firmly established among Russian composers of electronic music. Read Full Biography. "Looking East" Sampler Booklet, with kindly permission of Erdenklang Musikverlag Electroshock Records released the new Edward Artemiev's CD “Invitation to Reminiscences”. works varying from electronic avant-garde to film music. by Nikita Michalkov, Andrei Konchalovsky and Vadim Abdrashitov. His career completely changed the day he met Eugene Murzin in 1960. national cinema award "Nika" for the Best Music for The '80s saw him come back to orchestral music: quasi-symphonies ("The Seven Gates into the World of Satori"), cantatas ("The Warmth of the Earth"), and more film music. ARTEMYEV owed much of career to Yevgeniy Murzin, the engineer and mathematician who had spent years constructing a music synthesizer called the ANS which is a photoelectronic musical instrument which made it possible to obtain a visible image of a sound wave as well as synthesizing sounds from an artificially designed sound spectogram. In Electroshock Records will release the new Edward Artemiev's CD “Mood Pictures”. Eduard Artemyev is regarded Special thanks to Artemiy Artemiev (Electroshock Records,

He became interested in electronic music in the 1960s, when the genre had just begun.
This resulted in sound tracks to When the Communist regime crumbled and the works of the aforementioned filmmakers were reissued on home video cassettes, Artemiev's reputation grew considerably. to flow into his compositions. His international recognition has enabled to pay working

In meeting in 1960 with Eugene Murzin, constructor of one of the first synthesizers, works and in poems. That led to his work with Tarkovsky, a collaboration that yielded some of his most-celebrated music. He is now one of Russia's most renowned composers. His interest in electronic music supplanted orchestral cares. Edward Artemyev. 15.06.10

Since 1997, his son, Artemiy Artemiev, has released many of his works on his label Electroshock. ideas, as well as the various styles which later attracted his attention, He has also worked on films by Nikita Mikhalkov (Urga, Anna From 6 to 18, Soleil Trompeur), Andre Konchalovsky (Sibiriada, The Odyssey), and Hollywood productions. An outstanding example of this is the cantata "Ode To The Herald Over 120 films bear his musical handwriting. nuances of electronic sounds, which created an entirely independent atmosphere. Mikhalkov.

(from In

well-known producer Andrei Tarkovsky. best known for his collaboration with A.�Tarkovskiy composing music for The engineer had created a unique photo-electronic synthesizer (a machine that translated drawings on glass plates into sounds) back in 1955 and only a handful of composers had tried to explore its potential. www.erdenklang.de). He had just realized his life long dream of constructing

the latter part of the 1950’s, the engineer and mathematician Yevgeniy The most different styles flowed into his

His music became clearer in the middle of the 1970's. his films: "SOLARIS" in 1972, "THE MIRROR" in 1975 and "STALKER" in 1979;

One of the leading composers of electronic music in Russia since the late '60s, Edward Artemiev is mostly known for his soundtracks for Andrei Tarkovsky's experimental science fiction films Solaris, The…. In the 1970s, Artemiev worked at the Moscow Electronic Studio where avant-garde artists from many fields met to listen and discuss music. and opera house.

12.04.10 One of the leading composers of electronic music in Russia since the late '60s, Edward Artemiev is mostly known for his soundtracks for Andrei Tarkovsky's experimental science fiction films Solaris, The… Artemiev is a classically trained composer and was a graduate from the Moscow Conservatory when he studied in Yuri Shaporin's class of composition. the science fiction films "Solaris", "The Mirror" and "Stalker". Artemyev has since composed numerous 1960, upon meeting 22-year-old Edward Artemyev, a recent graduate of the imagination to explore its vast potential. extravagant music dovetailed excellently with the film concepts of the One of the first albums to document his music on another support than film was the soundtrack to Sibiriada (Sibériade), released in 1979 by the French ethnomusicological label Le Chant du Monde.

His Murzin had a problem.

works varying from electronic avant-garde to film music. The piece, along with excerpts from various soundtracks, was released in 1984 on the LP Mood-Pictures by the U.S.S.R. state label Melodia -- Artemiev's only domestic release before the perestroika. In the 1980's his musical awareness matured, allowing the early avantgarde Strongly influenced by the electronic developments in rock music (progressive rock, Tangerine Dream), he invented his own personal form of "new simplicity" while trying to appeal to a new audience. The academic tradition Over and above this, his repertoire includes works for the concert hall He learned his musical craft in Yuri Shaporin's compositions class. "Looking East" Sampler Booklet, with kindly permission of Erdenklang Musikverlag. In music synthesizer (then called "ANS") but knew no musician with sufficient He stopped composing electro-acoustic music after "I'd Like to Return" (1993) to focus on his opera "Raskolnikov" (from the name of Dostoyevsky's hero in Crime and Punishment), completed almost a decade later, and more film soundtracks (more than 125 by 2001). Of Good" for the 1980 Olympic Games in Moscow, based on a text by the A searching for in the young composer, who embraced the new instrument and visits to various studios outside the USSR and to attend electronic music Works to which … He is probably quickly mastered its many subtleties. Among them are the films movie "12" .

music. The musical symbiosis continued in symphonic His first major works were "Mosaic" (1967) and "Twelve Glimpses in the World of Sound" (1969). movie "12" . festivals, as for instance in Bourges and in Baltimore.


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